The Critic

critic1
I’m sitting in the lab right now. I’ve been going through samples for the last couple hours or so.

Scrapping everything.

I’m my biggest critic. There has to be a certain something to make me want to go after a beat. I don’t know what it is, but if a sample is too ‘easy’, I’ll leave it alone. I know it’s not the best reasoning, but I have to love it first before you can. Maybe it’s the fact that I feel like I’m a step or two away from being seen/heard on a really large scale that creates this heightened sensitivity.

Or maybe it’s the idea that I can’t and won’t peddle mediocrity.

I hear people say all the time that you shouldn’t scrap beats because somebody will eventually think it’s something dope. No. How can I fully sell you something that I don’t fully believe in to begin with????

Either way, this has a lot o do with why I don’t make a whoooole bunch of beats like so many other people claim to do. I’ve said this from the beginning and I’ll say it all the time:

I’d rather make one really crazy, insane beat that’s gonna drive the world up a wall, than make 20 ‘okay’ beats.

2 Responses to The Critic

  1. 1) I soooo remember that cartoon that the guy you have pictured however, i dont remember the guys name.

    2) How can I fully sell you something that I don’t fully believe in to begin with????

    ….You cant.

  2. I always thought it was just me. I hated making lame ass beats and they just sit there. I remember someone said in Scratch “Don’t throw away beats. One man’s trash is another man’s treasure.” I’m like, “Yeah, no thanks.”

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